Tag Archives: #cynthiamorgan

Understanding the feud between Peter, Paul & Big Brother Jude

Late last night, Peter- the one half of the afro-pop duo Psquare, in a series of tweets disclosed some issues and how it turned sour between himself and his elder brother Jude, who, also doubles as the group’s management.

Peter, who claimed that he had asked his twin brother Paul, in 2013, to release Jude as their manager. Paul refused and goes further to say “if he (Jude) goes, then we split”. Peter believes Jude and Paul connive to  do business’behind him‘ .

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Peter claims he’s been letting Jude and Paul have their way for peace’ sake, and even allowed Jude arm-twist him into owning the mansion they live in Squareville.

Peter also accused Jude of ‘stealing’ his prospective signee, Cynthia Morgan. He claims he told Jude that he was offering her a deal under P-Classic(Peter’s own label) before Jude snatched her up and signed her to his own Northside Inc label.

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Nomination List: Headies 2014.

The-Headies

While you’ll have to wait to cast votes for your favorite Afro-Pop stars, Hip-Hop world have in mean time released the nomination list of this year’s annual music awards, THE HEADIES.

Take a good look at the list below:

THE HEADIES 2014 – NOMINEES LIST
(YEAR IN REVIEW: JULY 2013 – JUNE 2014)

1. BEST RECORDING OF THE YEAR
A non-voting category for the best single recording by an artiste or group in year under review.
IYAWO MI- TIMI DAKOLO
LET SOMEBODY LOVE YOU- 2FACE IDIBIA
ALWAYS ON MY MIND – NOSA
ORDINARY PEOPLE – COHBAMS ASUQUO

2. PRODUCER OF THE YEAR
An individual responsible for producing the most acclaimed song or album in the year under review.
DON JAZZY – DOROBUCCI
PHEELZ – ELEDA MI O
T SPIZE – AYE
LEGENDURY BEATZ – CARO
SHIZZY – SKELEWU
DEL B – PULL OVER

3. BEST MUSIC VIDEO
A voting category for the best conceptualist, best directed and most exciting video in the year under review. This award goes to the video director.
ADA ADA BY FLAVOUR – CLARENCE PETERS
TOH BAD BY NIYOLA – KEMI ADETIBA
JUST LIKE THAT BY RAYCE – AJE
OYA NOW BY JOE EL FT. ORITSE FEMI – UNLIMITED LA
PERSONALLY BY P-SQUARE – JUDE “ENGEES” OKOYE & CLARENCE PETERS

4. BEST R&B/POP ALBUM
A category for the best R&B/Pop Album in the year under review (by single individual or group).
THE JOURNEY – SEAN TIZZLE
TAKEOVER – KCEE
ONCE UPON A TIME – TIW SAVAGE
ME, MY MOUTH & EYE – SOUND SULTAN
L.I.F.E – BURNA BOY

5. BEST R&B SINGLE
A category for the best R&B single in year under review (by single individual or group).
LET SOMEBODY LOVE YOU- 2FACE IDIBIA
IYAWO MI- TIMI DAKOLO
PLAN B – WANDE COAL
DON GORDON – BURNA BOY

6. BEST POP SINGLE
A category for the best pop single in year under review (by single individual or group)
DOROBUCCI – MAVIN CREW
AYE – DAVIDO
JOHNNY – YEMI ALADE
PULL OVER – KCEE
DOUBLE WAHALA – ORITSE FEMI
CARO – STAR BOY FEATURING WIZKID AND L.A.X
SURULERE – DR. SID

7. BEST REGGAE/DANCEHALL SINGLE
A category for the best Reggae/Dancehall single in year under review (by single individual or group).
GIRLIE O REMIX – PATORANKING
LEAD ME ON – CYNTHIA MORGAN
STINKING SH#T – CHOPSTIX FEATURING ICE PRINCE, YUNG L AND ENDIA.
ONLY YOU – JESSE JAGZ FT. WIZKID
MURDA – SEYI SHAY FT. PATORANKING & SHAYDEE

8. BEST RAP ALBUM
A Non-Voting Category for the Best Album By A Rap Artiste Or Group In Year Under Review.
NO GUTS NO GLORY – PHYNO
ALAGA IBILE- REMINISCE
BADDEST GUY EVER LIVETH – OLAMIDE
THY NATION COME – JESSE JAGZ

9. BEST COLLABO
A voting category for the best R&B, Pop or Hip-hop collaborative track (including cameos).
OYA NOW – JOE EL FT. ORITSE FEMI
EMERGENCY – WIZZY PRO FEATURING SKALES, PATORANKING AND RUNTOWN
SURULERE – DR. SID & DON JAZZY
PASS YOU BY – BLACK MAGIC FT. ORITSE FEMI
GIRLIE O REMIX – PATORANKING
DOROBUCCI – MAVINS

10. BEST RAP SINGLE
A voting category for a single (released on-air) recording of a rap song.
PARCEL- PHYNO
DOPE MONEY – OLAMIDE FT. PHYNO
SHOTZ ON SHOTS – ICE PRINCE FT. SARKODIE
RAP IT UP – POSLY TD
DEAF – EVA ALORDIAH
WTF – ILL BLISS

11. BEST VOCAL PERFORMANCE (MALE)
A non-voting category for the single male artiste with the most outstanding vocal performance on a single song or album.
IYAWO MI – TIMI DAKOLO
DOUBLE WAHALA – ORITSE FEMI
WHY YOU LOVE ME – NOSA
ORDINARY PEOPLE – COHBAMS

12. BEST VOCAL PERFORMANCE (FEMALE)
A non-voting category for the single female artiste with most outstanding vocal performances on a single song or album.

LOVE TO LOVE YOU – NIYOLA FT. BANKYW
WANTED – TIWA SAVAGE
WINDOW – MONICA OGAH
GOOD MAN – RUBY

13. NEXT RATED
This category is a voting category for the most promising upcoming officially unreleased (or signed) act in the year under review.
PATORANKING
RUNTOWN
OREZI
SKALES
YEMI ALADE

14. HIP HOP WORLD REVELATION
A voting category for the best new artiste in the year under review.
TIWA SAVAGE – ONCE UPON A TIME
SEAN TIZZLE – THE JOURNEY
BURNA BOY – L.I.F.E
KCEE – TAKE OVER

15. LYRICIST ON THE ROLL
A non-voting category for the Rap Artiste with the best lyrical depth and performance on a single song or album.
SHOTS ON SHOTS – ICE PRINCE
RAP IT UP – POSLY TD
GOD ON THE MIC – JESSE JAGZ
KPANSH – YUNG 6IX

16. BEST STREET-HOP ARTISTE
A voting category for the artiste whose songs are inspired by the streets. Such song should captain lingua, which may also be originated by the artiste and popular on the street.
DOUBLE WAHALA – ORITSE FEMI
SHOKI – LIL’ KESH FT. OLAMIDE & DAVIDO
DOROBUCCI – MAVIN
ALOBAM – PHYNO

17. BEST ‘ALTERNATIVE’ SONG
A voting category for the artiste whose songs reflect any form or style of music which falls outside the mainstream of recent or past popular musical trends.
BOLAJI – BOJ
BODY- BLACK MAGIC FEATURING BANKY W
GOOD MAN – RUBY
WHY YOU LOVE YOU – NOSA

18. ALBUM OF THE YEAR
A voting category for the best album (solo or group) in year under review, that meets judges requirements of excellence (in every realm: Songwriting, production, rendition and promotion) and acceptability (Sales and popularity).
THE JOURNEY – SEAN TIZZLE
L.I.F.E – BURNA BOY
BADDEST GUY EVER LIVETH – OAMIDE
NO GUTS NO GLORY – PHYNO

19. ARTISTE OF THE YEAR
Most critically and commercially adjudged artiste in the year under review. Overall most successful artiste for the year under review.
DAVIDO
WIZKID
KCEE
TIWA SAVAGE
OLAMIDE
PHYNO
FLAVOUR

20. SONG OF THE YEAR
A voting category for the most popular song in the year under review. This category is usually decided by voting.
AYE – DAVIDO
PULL OVER – KCEE
DOUBLE WAHALA – ORITSEFEMI
SURULERE – DR. SID
DOROBUCCI – MAVINS
JOHNNY – YEMI ALADE

21. BEST AFRICAN ARTISTE
A non-Nigerian award category for an individual African artiste with the most outstanding single/album and astonishing achievements and infiltration into Nigeria in year under review.
MAFIKIZOLO
SARKODIE
DIAMONDZ
R2BEES

22. HALL OF FAME
Special recognition for excellence and outstanding impact to the entertainment industry.
SIR (DR.) VICTOR UWAIFO

Are Female Emcees Really Destined To Play Cameo In The Music Scene?

Let me begin by saying; this is not a paid hype or advert campaign for anybody, although some of you at the end of this post might think otherwise. I can’t deprive you of your opinion(s) (after-all isn’t all these write-ups’ someone’s observation?). That out of the way,  I feel the need to address the issue of Nigerian female rappers fading out of the music scene like its destined they’ll always play a cameo role in the industry. We see them drop 1 or 2 bangers (most aren’t even that dope, but we still show them love) and then they burn out. I know by now a few names have been popping into your heads. There are quite a number of them but I’ll mention a few and leave the rest to your imagination.

We start from the most visible female in the game, Sasha P right? almost a decade ago since she left da trybe before establishing herself as a solo artist with the hit single Ewa bami jo back in 2007, and then there was a long pause (radio static silence) in her career, before dropping Adara (the lead single to her First Lady album under storm records), where she voiced all her frustrations about not reaching the expectations of her fans. At least she had a better and smoother career as opposed to Blaise.

Although I loved blaise’s team-up with Jesse Jags and Ice prince on MI’s album in a song that interestingly was titled blaze. I think blaise-a trained architect, never saw music as a full time job, she probably had other source of income as she never got around the vocal booth often, and if she did sorry for the misconception but we were never given enough materials to think otherwise.

Kel…Kel…Kel…Kelechi Ohia, lets just leave it at that cos frankly there isn’t much to say about her. WA WA ALRIGHT.

More recent though there’s been some step-ups, the fair Munachi Abi (I mean fair as always used in medieval English, not light skin) oh yes I said beautiful and that isn’t an opinion, she was a beauty queen in 2007.You’ll think she probably got the idea of doing music professionally when she was going out with peter of p-square, but she’s been doing rap way before then.

BTW, was that a failed attempt for a publicity stunt when the dancing twins said they were calling the group quit?’ 

Muna appears on our TV screen more often for various other reasons other than rapping. She does rap in potois sometimes which I think is really cute, but not enough to get the fans star struck.

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Eva Alodiah

Another pretty and petit lady that does patois is Eva Alodiah, her song High  was impressive and she got my attention with it (I say that like my attention matters to her, lol). Anyways, the track deaf was for me the highest point of her career thus far, Ol’ up Ol’ up don’t tell me shit *in eva’s voice*. As much as I believe she has a very good rapping skill-word play is top notch, poised to be a successful rap sensation. However, here’s the deal she can’t sing. I think here is the one point where all of the afore mentioned acts have gotten it wrong.

Singing is an integral part of a female rappers career, the ability to switch between hip-hop and RnB is the door way to career longevity(even male rappers do sing these days, you catch what am saying?).  As a female artist we want to see emotions flow, and how best to achieve this other than singing a song.  Ability to sing is an automatic invitation to carry hooks on many other artists’ joints, which is more playtime for them.

When you listen to Nicki minaj’s albums till date-there’s no telling she’s having the most lucrative career (as she has surpassed many other female acts that had been in the game)  you can really get a hold of the whole point am making.

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cynthia morgan

Although she does rap, dance hall, the Edo born Cynthia Morgan got the singing thing going for her I think.  Her first single after being signed under Jude Okoye (p square) northside inc, a song titled Don’t break my heart has successfully brought her back into the game. After falling into oblivion just after her brief introduction in Jhybo’s track ejo le fero.

In the end we love all our female emcees, the kind of culture they operate in alone is enough to discourage or kill off their career, but for perseverance and tenacity we thank all of them for making a statement.